Production: Running Clips

 As we transition into the park, the film shifts into a more open and dynamic setting, where Audrey begins her jog. This sequence is especially important because it not only continues to develop Audrey’s character, but also introduces Mathias for the first time. Because of this, we wanted to approach this scene carefully, making sure it felt visually engaging while still staying cinematic and intentional.

Floor Angle Issue:

One of the main visual ideas we explored was how to introduce Audrey through movement. We experimented with a ground-level shot that focuses on her feet as she runs, with her shoes gradually coming into focus as the camera tracks her. The idea behind this shot was to create a strong, cinematic opening that immediately puts the audience into the motion of the scene. It was also meant to feel immersive, almost like the audience is being pulled into her routine as she moves forward.

However, during filming, we ran into a technical issue where the focus wasn’t working properly when trying to capture her shoes. After testing and adjusting, we realized that the curve of the sidewalk was affecting the camera’s ability to maintain focus. The slight change in angle and distance made it difficult for the camera to lock in. To solve this, we repositioned the shot and had her run along a straight path instead. This small adjustment made a big difference, allowing the shot to achieve the clean focus we originally intended and making the moment feel much more polished and intentional.

Audrey Behavior Issue:

We also had to reconsider Audrey’s behavior during the run. Initially, we had her running with a serious and determined expression, fully focused on her surroundings and her jog. While this version made her seem disciplined and focused, we realized it created a problem in terms of the upcoming interaction with Mathias. If she was that aware and in control of her surroundings, it wouldn’t make sense for her to accidentally run into him.

Because of that, we adjusted her behavior to make her slightly more distracted. By having her use her phone while jogging, such as listening to music, we were able to make her feel more realistic and grounded. This decision is important because it reminds the audience that she is still a teenager, and not a perfectly controlled or idealized character. It also helps make the upcoming interaction feel more natural and believable, rather than something that feels staged or forced.

Technological Aspects:

We focused on how to present both Audrey and Mathias in a way that establishes their relationship visually. For Audrey, we used a shot where the camera remains stationary as she enters the frame, and then tracks her movement as she continues running. For Mathias, we used a slightly different approach, where the camera follows him as he runs and then allows him to exit the frame. These choices were intentional, as they help visually communicate that the two characters are approaching from different directions.

At the same time, even though their movements are opposite, the way the shots are constructed creates a sense of connection between them. This contrast highlights both their differences and their similarities, suggesting that while they are separate individuals, they are still on a similar path. It also helps build anticipation for their eventual interaction, subtly setting up their dynamic before they even meet.